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Who ) after Sakamoto’s involvement in the project. Though the final track contains every trick in Sakamoto’s kit bag and pulls from his electronic dance past (its thumping, sequenced rhythms), “One Single Voice” was recorded by Welsh mezzo-soprano Katherine Jenkins (famous for a beloved Christmas episode of Dr. If you didn’t think a score emulating the effects of industrial pollution and one man’s dedication to portraying pain and beauty could find a composer, you’ve missed the point of Sakamoto’s long career’s aesthetics. Starting with its gently halting piano opening theme and traveling through quietly whining atmospheric battles between sequencers, breathy voices, and real-time strings (“Landscape,” “Chisso Co.”), tonic glitch-hop riffs (“The Boy”) and their sinister equivalent (“Hidden Data”), opulent cello runs (“Boy and Camera”), and burnt-edged, electro-ambient (with squeezebox) scowls (“Into Japan”), the sonic monologue behind the true-life events of aged American war photographer Eugene Smith (played by Johnny Depp in director Andrew Levitas’ gritty film) documenting the effects of mercury poisoning on a coastal town in Japan is exactly what we’ve come to expect from latter-day Sakamoto.įar beyond his historic, ethnographic co-penned score for Bernardo Bertilucci’s The Last Emperor (for which the composer won an Oscar), and more moodily along the lines of his intimate, textural 2017 studio album async and his recent soundtrack for Black Mirror: Smithereens, Sakamoto shows off a mind and a taste for menacing, tactile music which meshes the oceanic-winded scale of the elements, be it the organically orchestral or the sumptuously synthetic, with cricket nattering glitches for physical punctuation. Somewhere between an Eric Satie still life and Jerry Goldsmith’s noir-jazz score for Chinatown exists the coolly emotional and subtly effervescent yet earthen music for the film Minamata from composer and instrumentalist Ryuichi Sakamoto. It does not store any personal data.Minamata (Original Motion Picture Soundtrack) Although he is not exactly a household name, Japanese composer Ryuichi Sakamotos work has been both widely heard and appreciated by a diverse, sophisticated audience. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". The celebrated composer is back from a recent health scare with his first solo album in eight years, and its a dark, eerie, ethereal beauty. This cookie is set by GDPR Cookie Consent plugin. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is used to store the user consent for the cookies in the category "Other. The updated recording of Aqua is sourced from Sakamotos 2020 show Playing Piano For The Isolated, which was released on the Japanese composers YouTube channel during the COVID-19 pandemic. The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". Ryuichi Sakamoto has released a new live recording of his 1999 track Aqua, the original of which appeared on his piano album BTTB. The cookie is used to store the user consent for the cookies in the category "Analytics". showing relevant, targeted ads on and off our web propertiesĭetailed information can be found on our Privacy Policy page. personalized search, content, and recommendations remembering privacy and security settings remembering account, browser, and regional preferences
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